I was tempted to pare down this year’s countdown to 20 – perhaps even 15 – songs. I simply didn’t feel as though I could drum up enough effusive praise for a full 25 song list once again. Not since 2021 has the situation felt so dire in the world of alternative rock, especially with pop music shining so brightly in 2024. But I just have too many opinions that cannot be left unsaid. They are bursting out of me and so you must endure a full list once more.
I must warn you that although a lot of the following will sound like tepid or even backhanded praise, I legitimately do enjoy all these songs to some degree.
The Top 25 Songs of 2024
25. How Far Will We Take It? – Orville Peck feat. Noah Cyrus —
I still don’t believe that Orville Peck has written that ONE big commercial hit to define his career by, and he still hasn’t returned to the artistic high he had with the fantastic “Turn to Hate”, but at the very least he has incorporated hooks into his songwriting once again. His latest album had no less than three memorable songs on it: “How Far Will We Take It?”, “Where Are We Now?” and “Midnight Ride”.
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24. Dunning Kruger National Park – Fanning Dempsey National Park —
The strangest part about this project isn’t the odd mirroring song title, it’s the fact that the Fanning in the name of the band refers to Bernard Fanning – as in Australian rock band Powderfinger’s lead singer Bernard Fanning. After years of inactivity he’s reappeared with this new band that sounds a lot like Keane doing a facsimile of turn-of-the-millennium Radiohead.
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23. Calling You Out – Charly Bliss —
If you were to tell me that this song was entirely AI generated with the prompt “indie pop Carly Rae Jepsen”, I would believe you.
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22. She’s Leaving You – MJ Lenderman —
The one qualm I have with this song is that the subject Lenderman sings about is a painfully outdated boomer stereotype that just doesn’t make sense anymore. The anachronistic depiction of a midlife crisis shows its most apparent flaw with the line “believed that Clapton was the second coming”. Lenderman doesn’t seem to realize that guys going through their midlife crises in 2024 are no longer beer-bellied office guys who worship Eric Clapton. They’re bearded New York type guys who peaked in 2001 and venerate Thom Yorke, Ezra Koenig, and James Murphy.
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21. Docket – Blondshell feat. Bully —
The conversation surrounding Blondshell has predominately been about her nepo baby status. It should have been about the fact that the supposed wunderkind loves to wreck her potentially great songs. “Veronica Mars” was about two minutes too short, and “Street Rat” could have been a #1 hit if it weren’t marred with poor production. Luckily “Docket” nails the basics of songwriting with the platonic ideal of a 3:30 length and clean production, and builds upon that with a decent tune.
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20. Zero Sum – The Smile —
Several interviewers in 2024 asked Thom Yorke about potential future Radiohead releases, which seemed to irritate the frontman. To paraphrase – he just wants to have a good time, man. He’s doing The Smile and he seems to be having a blast, dropping three albums in just two years. It still does feel a lot like a “buddies from work” type project, but hints of his old work do creep into songs like “Zero Sum”.
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19. End of Beginning – Djo —
There are a few moments in this song when it feels like it wants to be bigger than it is. It’s just aching for that big release instead of maintaining a chill, laid-back demeanour for its entire duration. Personally I would love to hear a full-on active rock cover by some aching heart band like Fuel or Three Days Grace.
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18. Cherry Blossom – Empire of the Sun —
Empire of the Sun, aka MGMT if they weren’t terrible, continue to understand what makes good music.
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17. Sanity (Re: Jack Antonoff) – Paramore —
It’s a devil’s compromise. The demo version of the song is unpolished, but it’s straightforward and uncomplicated. The rework by Jack Antonoff is sleek and clean, but it’s filled with unnecessary flourishes and annoying (and weirdly insistent) overproduction. Also it’s done by Jack Antonoff, who in recent years has cratered every bit of the goodwill he built up in the 2010s.
Ultimately, it’s his finished product that wins – though I must underscore that if the demo of “Sanity” was cleaned up it would be the far superior version.
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16. Beautiful Eyes – Amy Shark —
I don’t think I’ve ever listened to an artist with a mindset as similar to mine as Amy Shark. So many of her song lyrics reflect my core beliefs and here she essentially spells out what I’ve been yelling for decades: the only romantic relationships worth having are ones that grow from friendships.
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15. To Be Alright – Aurora —
Like a rippling pond reflection that slowly comes into focus, “To Be Alright” coalesces into a big pop moment as it draws to a close.
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14. Caroline – Nestor —
There are few surprises left in the music world. Unexpected covers, mash-ups, remixes, features, or samples are rarely ever actually unexpected in 2024. There aren’t too many unique gimmicks a band can employ to stand out in the crowd anymore, but Nestor seem to have one.
This is a band that formed in 1989, did not release any physical music, reformed after over 30 years apart, then started releasing music that sounded like the era they were borne out of. They may as well have been frozen in a cryogenic chamber when you hear songs like “Caroline”, which would have been a #1 hit in the late 80s.
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13. Blow It – Jack Kays —
People often relate to the subjects of song lyrics, but here Kays sings about someone he (nor anyone) wants to be. Essentially the perfect pop-punk song for the 2020s.
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12. Good Luck, Babe! – Chappell Roan —
If you were looking for respite from Chappell Roan here, I am afraid I must disappoint you. This is a good song.
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11. Ashamed – HEALTH —
HEALTH are a hard band to “enjoy”. Even as a fan of their music, I find it very difficult to revisit any of their work. Often released in the dark winter months, their 0% joy approach to their work is draining on the psyche and doesn’t lend itself to repeat listens, especially in the 2020s. It’s TOO relatable. It’s strange then, that HEALTH are almost preternaturally gifted at writing hooks but also at keeping their music surgically clean. No overbearing distortion or dissonance here – the style is all incredibly accessible.
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10. Image – Magdalena Bay —
It’s funny that instead of making new music, Grimes has opted to be weird on Twitter and put on disastrous DJ sets – yet when a band clearly influenced by her puts out a massive gem of a single, she hops right onto a remix of it. Hey Grimes, why not just write some new gems of your own?
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9. My House – Royal Republic —
Is this a Steel Panther type situation? Are Royal Republic a serious band or just a send-up of macho 80s hair metal? The lyrics to “My House” border on satire, heavy on confidence and low on sensible grammar and syntax.
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8. Close Encounters of the Richard Kind – Pocketboy Solid —
Capturing the neuroticism and off-kilter vocals of early Arcade Fire, this track veers very close to gimmicky territory but with such strong hooks manages to refrain from becoming too twee.
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7. Backslide – Twenty One Pilots —
The requisite lighter waving song off Twenty One Pilots’ latest release, “Backslide” follows in the footsteps of songs like “Choker” and “Chlorine” with its huge melodic hooks.
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6. Cherry Tree – Quarters of Change —
Despite knowing very little about their music and even less about the band themselves, Quarters of Change have appeared on my year-end countdowns for three years in a row now. Did I unconsciously become a fan? “Cherry Tree” is the best song they’ve written so far, opting for more of an up-tempo 80s power ballad approach rather than the no-wave of their 2022 release or the late 90s post-grunge of last year’s “What I Wanted”, but the rest of the album leaves no solid clues about where the band is deciding to go next.
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5. Hate Me If You Want – ALEXSUCKS —
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Are we as a society still doing the early 90s comeback? Or are we still doing 80s pastiche? Or maybe 70s? It’s all of them at once and more, including 2005, which this song seems to have been directly lifted from. The angular guitar hooks, the four-to-the-floor beat and the openly emotional lyrics are very twenty years ago.
4. Soon – TR/ST —
Prior to the release of TR/ST’s latest music he put out a statement saying his next songs would be “buried in mud”, or something to that effect. I groaned in disappointment upon reading this. Now, when bands are finally casting aside the horrible lo-fi aesthetic that’s plagued the better part of the last decade? Now, after years of delivering clean production and pristine hooks?
My fears were unfounded as the “mud” seemed to have been metaphorical. “Soon” is TR/ST’s best song thus far, and mercifully mud-free.
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3. Give it Back to Me – Francis of Delirium —
There’s something very comforting about a cyclical hook. Employed to great effect by bands like Built to Spill, Snow Patrol, The Airborne Toxic Event and Band of Horses, it allows for a pattern to build up over the course of a song before erupting into a big triumphant finale. Francis of Delirium have delivered another classic in this style with “Give it Back to Me”, a throwback to the days of earnest indie rock.
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2. We Did It In The Name of Love – The Killers —
The Killers famously scrapped the album they had planned for late 2023, with Brandon Flowers saying that he didn’t want to continue making music that was tied to the band’s early days.
When you look at the four songs off this lost record that ended up being released to the public however, you see an interesting pattern emerge and you wonder if there were other circumstances at play.
“Boy” sampled Erasure’s “A Little Respect”. “Your Side of Town” was an homage to New Order’s “True Faith”. “Spirit” interpolated Underworld’s “Born Slippy”. And this song was more than a little indebted to Sisters of Mercy’s “This Corrosion”, leading one to believe that The Killers were on their way to making their version of Dua Lipa’s Future Nostalgia, an album comprised entirely of songs based upon established works. Perhaps something about this concept didn’t pan out, and the record had to be shelved.
Fortunately this final offering off it was the best of the four that did see the light of day, and strangely enough released exclusively on….Twitter?
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AND THE BEST SONG OF 2024 IS…
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1. Sundowner – Fontaines D.C. —
There’s something extremely exciting about Fontaines D.C. Not only are they a group that writes actual, genuine music with character and a mission statement, but they exude an aura of unbridled potential. They feel like a band that is going to be big, and are just one release away from that breakthrough that will turn them into arena headliners. This year’s Romance was excellent, but the best part about it was that it hinted at more excellence in the future.
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Anyway, that’s it, bye.