As educated adults, we are all aware of the ocean liner Titanic’s voyage and roughly what happened. Filmmaker James Cameron tried his best to give us a deeper insight in his blockbuster version of the tale, however even he missed out on several key events and persons that occurred on that boat. Many of those events can be read about here.
Here are some of the more pertinent details:
Welcome to the Weekly Fiver, where I’ll pick five recently released songs of varying degrees of quality and thoroughly break them down for you. No two songs will be on the same tier, and they’ll be listed from best to worst. The top song will be an excellent must-hear tune, while the bottom song will be one you ought to stay away from or else you will make your ears sad. It’s all very scientific.
Welcome to Millennial Masterpieces, where I’ll look back at a great album released within the past 17 years and see what its legacy is. Eighth in the series is Kanye West‘s intensely personal album of auto-tuned confessionals, 808s & Heartbreak.
Released: November 24, 2008
Continue reading “Millennial Masterpieces #8: Kanye West – [808s & Heartbreak]”
Radiohead‘s acceptance of their origins has been a slow burn. It’s only recently that they began to play breakthrough classic “Creep” live again, and this year saw the re-release of OK Computer featuring long-buried B-sides that hinted at the direction they could have gone in. Instead of becoming figureheads for “smart” hipsters they could have been palling around with Robbie Williams and Take That.
That 1997 album was a bold move and paid off incredibly, but it was also the gateway to the band’s iffy experimental years. This isn’t to say that the work they’ve done since then hasn’t yielded great tunes, but the output of accessible, concise material has drastically decreased. For every “Optimistic” or “Knives Out” there was a “Pulk/Pull Revolving Doors”, “These Are My Twisted Words”, and “Feral”. It’s become apparent that the band is now actively eschewing standard pop music structure. (Strange then, that they tried to land the opening theme to the last James Bond movie).
All that said, this list stretches across their discography. It’s not one of those heretical countdowns that ignores anything from this millennium. Nor is it sheer adulation for the band’s “brave stand” against the conventions of old. There’s a little bit of everything, including some oft-overlooked songs that merit some recognition. Alright, let us go.
Sikoryak‘s adaptation of Apple‘s lengthy user agreement is less a graphic novel than an art experiment based around the one-note joke “lol now you HAVE to read the iTunes terms and conditions lol”. Ironically, most people won’t read the text and just flip through the book in search of the homage to their favourite comics.
Continue reading “Graphic Novel Review: Terms and Conditions by Robert Sikoryak”